The fact that Danny Lerman’s new album title Meow Baby comes from a line in an episode of Kojak proves that saxophonist Danny Lerman knows how to have fun. He also knows retro cool when he sees it. Lerman took a page from the 1970s when recording his second album, Meow Baby, which will be released February 26th on Sugar Whiskey Records, his label, distributed by Lightyear Entertainment/EMI. Danny adopted old school sensibilities by utilizing live musicians and having a hand in writing all the new compositions for the disc. Tal Bergman, who worked on Lerman’s debut album, produced ten songs on Meow Baby and a few tracks were produced by urban-jazz icon Norman Connors. Radio programmers are already whetting their appetite for the CD with “Gotcha!,” a deep-pocketed groove that bursts into a chorus as sweet as one of Kojak’s Tootsie Pops.
Since his last album release, Lerman traveled and performed around the world, including Turkey, Israel, Holland, South Africa, Venezuela and Mexico. He brought influences and musicians from the countries he visited into the studio when recording Meow Baby. While the tracks swing towards contemporary jazz, urban and adult pop, there are also traces of World Music, Middle Eastern, Latin and South African rhythms. The South Bend, Indiana native, who plays alto and soprano sax, recorded the majority of the collection in Los Angeles where he was joined by Randy Brecker, Hubert Laws, Howard Hewett, Paul Jackson Jr., Bobby Lyle, and Munyungo Jackson. Bergman, who played drums on records by Rod Stewart, Billy Idol, Loreena McKennitt, Herb Alpert, and Chaka Khan, was behind the drum kit on most of the album.
“Tal brought infectious rhythms that were both exciting and exotic. His strong rhythmic influences made the tracks spicy,” explained Lerman. “I wanted this record to be a glimpse into my world, including some of the friends that I’ve made in my travels. I put both myself and the places I’ve been into the music. There’s definitely variety on this record; you don’t know what’s coming next. I’ve found some great players from all parts of the world and they brought their unique perspective to the album.”
Lerman’s a riveting performer who has shared concert bills with Herbie Hancock, Sergio Mendes, Richard Elliot, David Benoit, Eric Marienthal and the Ghetto Boys. When he’s off the road, Lerman occasionally performs free concerts at nursing homes in his hometown of South Bend, Indiana.
Danny got his first job at age 13 with a jazz big band, then studied with Charles Atkins, who taught Motown Icon, Jr. Walker and Danny’s uncles, jazz musicians in their own right.
Danny went to Babson College, to play ice hockey, but followed his musical dream to the Berklee College of Music in Boston, then on to graduate from the University of North Texas. “I met some great song writers there such as Tim Kobza and Marc Sutch and was inspired to write and record the music that had been singing in my head.”
Lerman composed and recorded his first CD, Do you Feel? in South Bend, Indiana and built his name touring the Midwest. “At North Texas they didn’t teach me how to dance or front a band. I learned on the job, at least fronting the band.”
Danny partnered with producer Tal Bergman for his next CD, Danny’s Island, performing and writing with bassist, Oskar Cartaya and flutist, Dave Valentine The CD Danny’s Island, reached the top 20 on the Contemporary Jazz charts of record industry publication Radio & Records, and the single, Take My Breath Away, reached the #1 position on the playlist of WGCI, Chicago's number one urban music station.
Danny’s compositions are also featured in the movie soundtracks “Wedding Bell Blues,” and “Kill Me Later”. As a special treat, Take My Breath Away, will be re-issued as a bonus track on “Meow Baby”.
AllMusic Review by Jonathan Widran [-]
Danny Lerman is one of those rare debut artists who wants to write a complete autobiography of all the genres that have influenced him, and as a result, the saxophonist's invitation to the crazy and joyously scattershot Danny's Island is hard to resist. He clues us in on his Sanborn affinity with some aggressive alto doubling on the hook of the blues-funk party "Boris the Cat" before tipping the scales towards melodic sentimentality on the Boney James-like "You Take My Breath Away." He then honks and slides around the rolling flamenco guitar harmonies of the always welcome Fareed Haque on the castanet-fueled clapalong "Black Orpheus," creating inspired cantina imagery which is complemented by the even more festive, brassy title track; here, backed by a jumpy bass groove straight out of thePaul Simon Graceland sound, Lerman engages in a playful conversation with flutist Dave Valentin on the lead melody as a two-piece horn section stands on guard to burst in with colorful harmonies any minute. Lerman's interests aren't limited to music, either, as the creepy, trip-hoppy "Dracula's Castle" sounds like a soundtrack piece from The X-Files. He also does a clever time traveling thing on the wacky, off meter version of the Doobie Brothers' "Long Train Runnin'" which features a spaced outDavid Garfield keyboard solo, turntable scratches, and a relentless hip-hop and industrial percussion groove. One of the most provocative jams of the year, Danny's Island is the kind of eclectic project too few smooth jazz artists dare to make.